Sound for Film

I record production sound for all motion picture needs. From feature film to ENG, documentary, television and corporate video, I will capture the best possible sound for your production.

I mix audio post production, sound design, and Foley for picture, mixing for 2.0, 2.1, and 5.1 surround.

I own my own gear, equipped to record with a boom and 8 lavs, with 5 Comteks for wireless monitoring, and a time code slate.

Gear List:

  • Sound Devices 664 recorder (12 input)
  • Sennheiser MKH 416 shotgun mic
  • Schoeps CMC 4 hypercardioid mic
  • AKG C414II (2)
  • ElectroVoice RE20
  • Shure SM-58
  • Sanken CUB-01
  • Lectrosonics SRa dual channel receiver
  • Lectrosonics SMQV beltpack transmitter (2)
  • Sennheiser G3 transmitters and receivers (6 pairs)
  • Comtek M-216 transmitter
  • Comtek PR-216 receiver (5)
  • Sanken COS-11D lavs (7)
  • TRAM TR50 lav
  • Sennheiser ME-2 lavs (5)
  • Neopax transmitter straps (6)
  • Trilevelsync Lockit Box
  • Denecke TS-C time code slate
  • 5 pin Lemo to BNC (for time code)
  • 5 pin Lemo to 5 pin Lemo (for time code)
  • Zeppelin and windscreen
  • Rain protection for boom and mixer
  • 7’ K-tek boom pole
  • Headphones (7) 

References